





Impromtu.
Badass.
Up against the wall…what other way to do it?
WilliamSpringfield.com








Aston Watson Photography, Brooknam, New Yawk Tamikko Beasty Creatives/Post Edits. TAMIKKO ACCESSORIES/Custom Nirvana TeeKurt Cobain meets Panic At The Disco meets BEAST.















Missing NYC & the homie @AdolphusAmissah .
Irreplaceable walks, Irreplaceable city,
Irreplaceable work, Irreplaceable friends.
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. Hollywood’s classic film noir period is generally regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiledschool of crime fiction that emerged in the United States during the Depression. The term film noir, French for “black film”,[1] first applied to Hollywood films by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era.[2] Cinema historians and critics defined the noir canon in retrospect. Before the notion was widely adopted in the 1970s, many of the classic film noirs were referred to as melodramas.[a] The question of whether film noir qualifies as a distinct genre is a matter of ongoing debate among scholars. Film noir encompasses a range of plots—the central figure may be a private eye (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Though the noir mode was originally identified with American productions, films now customarily described as noir have been made around the world. Many pictures released from the 1960s onward share attributes with film noirs of the classic period, often treating noir conventions in a self-referential manner. Such latter-day works in a noir mode are often referred to as neo-noirs. The tropes of film noir have inspired parody since the mid-1940s.








UK FRESH PHOTOGRAPHY
TAMIKKO ACCESSORIES (ring)
Tamikko Beasty Creatives,
*Courtesy of G M D Studios, NYC
Tamikko Beasty creatives.
Raw face captured in Raw format. Dirty thoughts about Life, Love, You…
Daydreaming.
Wishing, hoping one day, that this day that rests inside restless mind
will bow down, humble itself and make sense…so I can finally make cents.
Coins, dollas, bread, cheese, chips that make homeboys holla. Sounds like
a currency bar-b-que.
Put it all on the line, only to be constantly grilled by the masses.
Can’t sugar coat truths with molasses flavored lies that drip off of sweet
looking lips…
No Bueno, not possible.
So she fights.
Referenced as a Dirty Pretty Thing…A BEAST, because of all the ill filthy imagry
she brings. Life messenger of reality. Bitter, semi-dark chocolate, sour, sweet,
and everything in between.
Causing riots.
Pivoting thoughts like leverage so maybe one day it will help you as well as
she to get to better versions of ourselves.
Truth and Beauty.
The truth in her eyes, hiding behind the nakedness of the purest question…WHY.
Asking Life to finally reveal itself. Instead it steadily revels in itself to stay complicated.
Confusing Cunt.
She often curses this curiosity referring to Life as that Bitch she’s eternally married to.
“C” word to express the vulgarity of the bureaucracy she’s becoming accustomed to. So she rebels. Writes and photo finishes with Beasty Bad Edits that let her express her creatives. Beauty resting in this naked truth that the only truth is the truth that lies in you.







































































